Marley White. View of a woman bathing. 2023. Wood, tile, string, red clay (dug-up in Travelers Rest, SC), nails, cubic zirconia, bathtub plug. (Image Courtesy of the Artist.)
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Recent Exhibition:
January 27 - February 24, 2024.
Marley White, Allison Arkush, Ibuki Kuramochi
Ternary Group Exhibition.
Reference:
Release:
Press:
+ <<Last Chance to See ‘A Tender Limb’>> (Rafu Shimpo: February 23, 2024).
+ <<The incarnation of desire…>> (AUTRE: February 16, 2024).
+ This Week’s Must-See Art (Curate LA: January 24-30, 2024)
+ LA Art Openings & Spotlight (ArtRabbit: January 24, 2024)
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Bio
Marley White (b. 1998, Travelers Rest, SC) lives and works in Los Angeles, CA. White holds a BFA from Virginia Commonwealth University School of the Arts and is currently an instructor in the Fine Art and Product Design departments at Otis College of Art and Design, Los Angeles. Using her background in metalworking and woodworking, White’s sculptures imply function and leave us considering their relationship to the body. White’s intimate sculptures document the function of internal adornment. Her work draws a line between the internal and external self through her usage of materials that range from gold to red clay, dug up from her house in the blue ridge mountains, to pig intestines stretched over steel.
Her work is included in the upcoming exhibition at One Trick Pony, Los Angeles, CA and has previously been exhibited at NADA Miami with Carlye Packer, Beth DeWoody’s Bunker Art Space, West Palm Beach, FL, Praz Delavallade, Los Angeles, CA, House of Seiko, San Francisco, CA (curated by Mario Ayala); Carlye Packer, Los Angeles, CA (curated by Jason Roussos); Carpenters Workshop Gallery, Paris, FR, and Zuiderzee Museum, Enkhuizen, NL. White was a recipient of the Center for Craft Windgate-Lamar Fellowship in 2020 and 2021.
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Exhibitions with the Gallery:
- January 27 - February 24, 2024. Ternary Group Exhibition.
Marley White, Allison Arkush, Ibuki Kuramochi
Documentation:
Release:
Press:
+ <<Last Chance to See ‘A Tender Limb’>> (Rafu Shimpo: February 23, 2024).
+ <<The incarnation of desire…>> (AUTRE: February 16, 2024).
+ This Week’s Must-See Art (Curate LA: January 24-January 30, 2024).
+ LA Art Openings & Spotlight (ArtRabbit: January 24, 2024).
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Inquire for Information, Image Details, or Status of Exhibited Works:
gallery@reisigandtaylorcontemporary.com
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A Tender Limb. Video Recording.
Installation View\Day (1).
Works by Allison Arkush.
Allison Arkush. Egg Sack Festoon. 1, 2, 3 of 3. 2022. Porcelain casting slip, glaze, hemp rope, stainless steel hardware. 16 x 5.25 x 2 inches (each).
Allison Arkush. {Upper} Ceramic Paper Chain (copper green arc). 2022. Nebraska brick clay with paper fiber, glaze, zip-ties. 13 x 15 x 2 inches. {Lower} Ceramic Paper Chain (copper green arc). 2022. Nebraska brick clay with paper fiber, glaze, hemp rope. 22 x 12 x 2 inches.
Allison Arkush. Three Then Two. 2016. Found window-mirror, beeswax, dried beta fish, dried discus fish, dried frogs, sea sponge, hardware. 16.5 x 16 x 2.5 inches.
Installation View\Day (2).
Installation View\Day (3).
Marley White. {Left} Goes it alone. 2024. Pine, tile, concrete finial. 91 × 2 × 28 inches. {Right} Little girl. 2024. Wood, tile, red clay, string, rubber gloves, plastic clover, steel, joint compound. 14 × 38 × 20 inches.
Marley White. Little girl. 2024. Wood, tile, red clay, string, rubber gloves, plastic clover, steel, joint compound. 14 × 38 × 20 inches.
Installation View\Day (4).
Ibuki Kuramochi. Liquid Senses. 2024. Video (Displayed on Ipad). 1920 x 1080 HD. 00:01:51. Edition 2/2.
Installation View\Day (5).
Marley White. View of a woman bathing. 2023. Wood, tile, string, red clay (dug-up in Travelers Rest, SC), nails, cubic zirconia, bathtub plug. 70 x 23 x 98 inches.
Installation View\Day (6).
Installation View\Night (0).
Installation View\Night (1).
Marley White. Inside of a window. (1, 2, 3 of 3). 2024. Steel. {Left-Right} 3.5 x 8.5 x 4 inches; 4 × 5 x 4 inches; 4.5 x 8 x 5 inches.
Marley White. Inside of a window. (1 of 3). 2024. Steel. {Left-Right} 3.5 x 8.5 x 4 inches.
Marley White. Inside of a window. (2 of 3). 2024. Steel. 4 × 5 x 4 inches.
Marley White. Inside of a window. (3 of 3). 2024. Steel. {Left-Right} 4.5 x 8 x 5 inches.
Installation View\Night (2).
Installation View\Evening (0).
Installation View\Evening (1).
Ibuki Kuramochi. {Left: Rear Wall and Mirror + Chain in foreground} Down to Me. 2024. Video (Displayed on Samsung LED monitor). 1920 x 1080 HD. 00:03:16. {Right Wall} {Upper} Surrender to the Flow. 2024. Digital Media, Printed on Acrylic; Chain. 20 × 30 inches. Edition 1/1. {Lower} Between the Tides. 2024. Digital Media, Printed on Acrylic; Chain. 16 × 20 inches. Edition 1/1.
Ibuki Kuramochi. {Upper} Surrender to the Flow. 2024. Digital Media, Printed on Acrylic; Chain. 20 × 30 inches. Edition 1/1. {Lower} Between the Tides. 2024. Digital Media, Printed on Acrylic; Chain. 16 × 20 inches. Edition 1/1.
Ibuki Kuramochi. {Left: Rear Wall and Mirror + Chain in foreground} Down to Me. 2024. Video (Displayed on Samsung LED monitor). 1920 x 1080 HD. 00:03:16. {Right Wall} {Upper} Surrender to the Flow. 2024. Digital Media, Printed on Acrylic; Chain. 20 × 30 inches. Edition 1/1. {Lower} Between the Tides. 2024. Digital Media, Printed on Acrylic; Chain. 16 × 20 inches. Edition 1/1.
Ibuki Kuramochi. Down to Me. 2024. Video (Displayed on Samsung LED monitor); Mirror + Chain. 1920 x 1080 HD. 00:03:16.
Ibuki Kuramochi. Down to Me. 2024. Video (Displayed on Samsung LED monitor). 1920 x 1080 HD. 00:03:16.
Installation View\Day (7).
Marley White. Thank you kindly. 2024. Steel. 30 x 18 x 24 inches.
Installation View\Day (8).
Ibuki Kuramochi. Where Souls Mingle. 2024. Digital Media, Printed on Acrylic; Chain. 12 × 16 inches. Edition 2/2.
Installation View\Evening (2).
Allison Arkush, Ceramic Burnout Studies. 1-9. 2019-2020. Porcelain slip burnouts of muslin or linen or paper. Some with stains, some with glaze, some with nichrome wire. Dimensions variable.
Allison Arkush, Ceramic Burnout Studies. 2, 3, 4. 2019-2020. Porcelain slip burnouts of muslin or linen or paper. Some with stains, some with glaze, some with nichrome wire. Dimensions variable.
Allison Arkush, Ceramic Burnout Studies. 4, 5, 6. 2019-2020. Porcelain slip burnouts of muslin or linen or paper. Some with stains, some with glaze, some with nichrome wire. Dimensions variable.
Allison Arkush, Ceramic Burnout Studies. 7, 8. 2019-2020. Porcelain slip burnouts of muslin or linen or paper. Some with stains, some with glaze, some with nichrome wire. Dimensions variable.
Allison Arkush, Ceramic Burnout Study, 1. 2019-2020.
Allison Arkush, Ceramic Burnout Study, 2. 2019-2020.
Allison Arkush, Ceramic Burnout Study, 3. 2019-2020.
Allison Arkush, Ceramic Burnout Study, 4. 2019-2020.
Allison Arkush, Ceramic Burnout Study, 5. 2019-2020.
Allison Arkush, Ceramic Burnout Study, 6. 2019-2020.
Allison Arkush, Ceramic Burnout Study, 7. 2019-2020.
Allison Arkush, Ceramic Burnout Study, 8. 2019-2020.
Allison Arkush, Ceramic Burnout Study, 9. 2019-2020.
![Allison Arkush, Ceramic Burnout Study, 9. 2019-2020. [Detail.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/a188d165-6a85-4db5-9311-954a3f8ec948/2.jpg)
Allison Arkush, Ceramic Burnout Study, 9. 2019-2020. [Detail.]
Installation View\Day (9)
Works by Allison Arkush.
Allison Arkush. Ceramic Burnout (hanging muslin bundle). 2019. Porcelain slip burnout, iron oxide, glaze, nichrome wire. 10 x 4.5 x 3 inches.
Allison Arkush. Window Box. 2018. Found wooden box, found wooden shutters, earthenware slip burnout of muslin curtains, milk paint, fabric, encaustic medium, LED. 18.75 × 14 x 7.5 inches.
Allison Arkush. Ceramic Burnout (black waffle fabric). 2019. Porcelain slip burnout with black mason stain, glaze, nichrome wire rod. 6 x 10 x 2 inches.
Installation View\ Day (10). Outside.
Allison Arkush. Eight Days Egg Sack. 2017. North Carolina stoneware wood-fired for eight days, welded steel, steel hardware. 16 × 6 x 7 inches.
Installation View\ Day (11). Inside-Outside.
Alison Arkush. Ceramic Paper Chain Bunting. 2022. Nebraska brick clay with paper fiber, glazed ends. Dimensions variable.
Works by Allison Arkush.
Allison Arkush. Endicott Egg Sack. 2022. Nebraska Endicott brick clay, iron nails. 20 x 6 x 2 inches.
Allison Arkush. Fence Mold. 2016. Latex, burlap, hydrocal traces. 22.5 × 23 inches.
Allison Arkush. {Foreground} Multitool with base, on Post-In-Bucket. 2024. Nebraska brick clay, glaze, scrap wood, hemp rope, plasti dip, heat shrink tube, pencil nub, apoxie clay,colored pencil, brad nails. Perforated steel L-tube, pitcher plant pruning [species: Sarracenia; Clone B], quikcrete, plastic bucket. 48 x 17 x 12 inches. {Wall} Rusty + Knitting Composition. 2018. Porcelain slip burnout with glaze, rusty iron, cotton rope, waxed linen thread, nails. Dimensions variable.
Allison Arkush. Rusty + Knitting Composition. 2018. Porcelain slip burnout with glaze, rusty iron, cotton rope, waxed linen thread, nails. Dimensions variable.
Installation View\Day (12).
Installation View\Day (13).
Marley White. {Foreground} Thank you kindly. 2024. Steel. 30 x 18 x 24 inches. {Background} Sheep with broken leg. 2024. Steel. 39 × 29 × 28 inches.
Installation View\Day (14).
Installation View\Day (14).
Allison Arkush. Both Ends Candle and Holder. 2015. Beeswax sheet, cotton wick, earthenware with underglaze. 4 x 2.5 x 8 inches. Placed on plinth with natural chamois cloth as covering.
Installation View\Day (15). Outside.
Marley White. Sheep with broken leg. 2024. Steel. 39 × 29 × 28 inches.
Installation View\Day (16). Outside.
Allison Arkush. Eight Days Egg Sack. 2017. North Carolina stoneware wood-fired for eight days, welded steel, steel hardware. 16 × 6 x 7 inches.
Allison Arkush. Ceramic Fence. 2017. North Carolina stoneware wood-fired for eight days on oyster shells, aluminum mesh, vinyl coated wire rope, zip-ties. 21 inches tall, 27 x 16 inches; variable circumference.
Allison Arkush. Ceramic Fence. 2017. North Carolina stoneware wood-fired for eight days on oyster shells, aluminum mesh, vinyl coated wire rope, zip-ties. 21 inches tall, 27 x 16 inches; variable circumference.
Allison Arkush. Ceramic Fence. 2017. North Carolina stoneware wood-fired for eight days on oyster shells, aluminum mesh, vinyl coated wire rope, zip-ties. 21 inches tall, 27 x 16 inches; variable circumference.
Allison Arkush. Ceramic Fence. 2017. North Carolina stoneware wood-fired for eight days on oyster shells, aluminum mesh, vinyl coated wire rope, zip-ties. 21 inches tall, 27 x 16 inches; variable circumference.
Installation View\Night (3). Outside-Inside.
Installation View\Night (4). Outside-Inside.
Installation View\Day (0).
Installation View\Day (1).
Installation View\Day (2).
Installation View\Day (3).
Marley White. {Left} Goes it alone. 2024. Pine, tile, concrete finial. 91 × 2 × 28 inches. {Right} Little girl. 2024. Wood, tile, red clay, string, rubber gloves, plastic clover, steel, joint compound. 14 × 38 × 20 inches.
Marley White. Little girl. 2024. Wood, tile, red clay, string, rubber gloves, plastic clover, steel, joint compound. 14 × 38 × 20 inches.
Installation View\Day (4).
Installation View\Day (5).
Marley White. View of a woman bathing. 2023. Wood, tile, string, red clay (dug-up in Travelers Rest, SC), nails, cubic zirconia, bathtub plug. 70 x 23 x 98 inches.
Installation View\Day (6).
Installation View\Night (0).
Installation View\Night (1).
Marley White. Inside of a window. (1, 2, 3 of 3). 2024. Steel. {Left-Right} 3.5 x 8.5 x 4 inches; 4 × 5 x 4 inches; 4.5 x 8 x 5 inches.
Marley White. Inside of a window. (1 of 3). 2024. Steel. {Left-Right} 3.5 x 8.5 x 4 inches.
Marley White. Inside of a window. (2 of 3). 2024. Steel. 4 × 5 x 4 inches.
Marley White. Inside of a window. (3 of 3). 2024. Steel. {Left-Right} 4.5 x 8 x 5 inches.
Installation View\Night (2).
Installation View\Evening (0).
Installation View\Evening (1).
Installation View\Day (7).
Marley White. Thank you kindly. 2024. Steel. 30 x 18 x 24 inches.
Installation View\Day (8).
Installation View\Evening (2).
Installation View\Day (9)
Installation View\ Day (10). Outside.
Installation View\ Day (11). Inside-Outside.
Works by Allison Arkush.
Installation View\Day (12).
Installation View\Day (13).
Marley White. {Foreground} Thank you kindly. 2024. Steel. 30 x 18 x 24 inches. {Background} Sheep with broken leg. 2024. Steel. 39 × 29 × 28 inches.
Installation View\Day (14).
Installation View\Day (14).
Installation View\Day (15). Outside.
Marley White. Sheep with broken leg. 2024. Steel. 39 × 29 × 28 inches.
Installation View\Day (16). Outside.
Installation View\Night (3). Outside-Inside.
Installation View\Night (4). Outside-Inside.