![Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Open.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/afbdf02b-3864-4589-ad87-6557216d9eca/Cantu_Grenuda_2.jpg)
Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Open.]
![Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Back.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/5f4292e0-781e-4f68-9c18-6c51fd53a6f5/Cantu_Grenuda_3.jpg)
Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Back.]

Magaly Cantú.
![Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/4a1d73d9-2b64-4a88-b250-ce369aa35589/RTC10.jpg)
Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]
![Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/227b8652-1830-435c-8ea4-0bdd7586f49b/RTC9.jpg)
Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]

Magaly Cantú. Mi Camita Quebrada, 1/3 {Left} & 2/3 {Right}. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches each.

Magaly Cantú. Mi Camita Quebrada, 1/3 {Left} & 2/3 {Right}. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches each.

Magaly Cantú. Mi Camita Quebrada, 1/3. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches.

Magaly Cantú. Mi Camita Quebrada, 2/3. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches.

Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches.
Magaly Cantú. Mi Camita Quebrada, 1/3 {Left} & 2/3 {Right}. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches each.
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Exhibitions Images and Recordings: View.
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Bio
Magaly Cantú is an interdisciplinary artist based in Denton, Texas. She works between a traditional printmaking, drawing and expanded ceramic practices. Through the translation of familial relationships, personal memories, photographs and daydreams. Magaly dissects experiences of girlhood as a Latina an the impacts of navigating in-between tradition and modernization. Magaly has shown work at Arts Fort Worth, 500X Gallery, the University of West Virginia, and the K Space Contemporary. Her work has also been added to multiple collections such as Marais Press print collection at The Hilliard Art Museum and Incisori Contemporanei, Villa Benzi Zecchini, in Caerano di San Marco, Italy. She is currently an M.F. A candidate specializing in printmaking, at the University of North Texas.
{c.04/13/2024. Biographical text courtesy of the artist.}
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[A Note on works included in There’s no telling time.]
Looking along an impossible gaze pressed between a body and the broken bed that gathers against its gravity, the two ceramic-framed prints editioned under the name Mi Camita Quebrada arrive at the navel of a dream—at a seductive seam eclipsed by sleep… by a body falling into fabric. The windowed view cut-out of the supple ceramic frame remembers the obvious voyeurism of looking into someone else’s bed(room) and catching a glimpse of the flesh intimated only to the privacy of their prone position. (Somehow I’m allowed to see between the sheets.) —But then the whimsical marks—the butterflies and little milagros adorning the ceramic surfaces—remind me that this intimacy is only offered between the body and the mattress, between the (self-)image and the vessel that breaks beneath (or above) its weight. The intimacy of somewhere a body can be without being seen, a nightly return to the lack of the gaze(…still looking nonetheless). (Time to close the window… Cierra la ventana).
—80
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Exhibitions with the Gallery:
- April 13 - May 18, 2024. Group Exhibition.
Jackie Castillo, Shabez Jamal, Sarah Plummer, Xiao He, Cesar Herrejon, Magaly Cantú.
+ Reference: Checklist.
+ Release: File.
+ Press: Feature (LA Art Party: April 13, 2024); This Week’s Must-See Art (Curate LA: April 11-17, 2024); LA Art Openings & Spotlight (ArtRabbit: April 10, 2024).
+ Exhibition Documentation: View.
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Inquire for Information, Image Details, or Status of Exhibited Works:
gallery@reisigandtaylorcontemporary.com
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....

Installation View\ Night (1).

Installation View\ Night (2).

Installation View\ Night (3).

Installation View\ Night (4).

Installation View\ Night (5).

Installation View\ Night (6).

Installation View\ Night (7).

Installation View\ Night (8).

Installation View\ Day (0).

Shabez Jamal. {Video installed on monitor} Like Home (Anita and the Tambourine Man). 2022. Experimental Video. {Foreground}: {Left} Untitled 02. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches. {Right} Untitled 04. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches.

Shabez Jamal. {Video installed on monitor} Like Home (Anita and the Tambourine Man). 2022. Experimental Video. {Foreground}: {Left} Untitled 02. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches. {Right} Untitled 04. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches.

Shabez Jamal. {Left} Untitled 02. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches. {Right} Untitled 04. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches.

Shabez Jamal. {Above} Untitled 02. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches. {Below} Untitled 04. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches.

Shabez Jamal. Untitled 02. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches.

Shabez Jamal. Untitled 04. 2023. Type-I instant film and poured concrete. 2.25 x 12 x 9.25 inches.

Installation View\ Day (1).

Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches.
![Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Open.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/afbdf02b-3864-4589-ad87-6557216d9eca/Cantu_Grenuda_2.jpg)
Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Open.]
![Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Back.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/5f4292e0-781e-4f68-9c18-6c51fd53a6f5/Cantu_Grenuda_3.jpg)
Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Back.]

Installation View\ Day (2).

Xiao He. The Yelow Walpaper. 2023. Colored pencil on Dura-Lar film, Bradbury & Bradbury Wallpaper; Victorian photo frame binding. Text from The Yellow Wallpaper, short story by Charlotte Perkins Gilman (1892). 2.75 x 3.75 x 1.5 inches.

Xiao He. The Yelow Walpaper. 2023. Colored pencil on Dura-Lar film, Bradbury & Bradbury Wallpaper; Victorian photo frame binding. Text from The Yellow Wallpaper, short story by Charlotte Perkins Gilman (1892). 2.75 x 3.75 x 1.5 inches.

Xiao He. The Yelow Walpaper. 2023. Colored pencil on Dura-Lar film, Bradbury & Bradbury Wallpaper; Victorian photo frame binding. Text from The Yellow Wallpaper, short story by Charlotte Perkins Gilman (1892). 2.75 x 3.75 x 1.5 inches.

Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches.

Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches.
![Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches. [Detail.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/3bed3829-a41f-4c77-b4d8-17ee3cbac71f/Herrejon_How_3.jpg)
Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches. [Detail.]
![Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches. [Detail.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/9dae1e40-ab8d-4905-8bd3-ccd48146d777/Herrejon_How_1.jpg)
Cesar Herrejon. How We Were Born I. 2023. Fabric, ink, graphite on individual plaster grounds. 16 x 10 inches. [Detail.]

Installation View\ Day (3).

Sarah Plummer.

Sarah Plummer. {Left-Right} Maskros. 2024. Kozo, gifted turritella agate, sandalwood dye, ruby shellac, dandelion florets (34.10675°N 118.29621°W). 6 x 4.3 x 1 cm. Lime kiln damstone. 2024. Kozo, midorimenou iwa-enogu (a natural mineral pigment made from ground bloodstone), found ceramic tile, Black Wattle gum (38.89422°S, 150.50305°E). 6 x 4.2 x 0.6 cm. the place where there will always be water (Payahuunadu damstone). 2024. Kozo, found rock (35.96951°N, 117.90878°W), iwashudo (red marble) pigment, matsuba rokusho (malachite) pigment, indigo dye, Black Wattle gum (38.89422°S, 150.50305°E). 4.5 x 6.2 x 0.6 cm.

Sarah Plummer. Maskros. 2024. Kozo, gifted turritella agate, sandalwood dye, ruby shellac, dandelion florets (34.10675°N 118.29621°W). 6 x 4.3 x 1 cm.

Sarah Plummer. Lime kiln damstone. 2024. Kozo, midorimenou iwa-enogu (a natural mineral pigment made from ground bloodstone), found ceramic tile, Black Wattle gum (38.89422°S, 150.50305°E). 6 x 4.2 x 0.6 cm.

Sarah Plummer. the place where there will always be water (Payahuunadu damstone). 2024. Kozo, found rock (35.96951°N, 117.90878°W), iwashudo (red marble) pigment, matsuba rokusho (malachite) pigment, indigo dye, Black Wattle gum (38.89422°S, 150.50305°E). 4.5 x 6.2 x 0.6 cm.

Sarah Plummer. {Left-Right} Rusty Carrot House. 2024. Kozo, found shard, Sydney Rusty Gum kino (33.98354°S, 151.05673°E), Black Wattle gum (38.89422°S, 150.50305°E). 6.8 x 4.9 x 6 cm. Wonny. 2024. Kozo, cotton, plant matter, turmeric (gifted), collaged lithographic fragments, shell (31.45879°S, 152.93376°E), Bunya Pine resin (33.8365° S,151.15579°E), Black Wattle gum (38.89422°S, 150.50305°E). 9.8 × 5.2 x 5.7 cm. a sun buried a thousand years ago and dug up only yesterday. 2024. Kozo, bottle brush flowers (33.97280°S, 151.05071°E), turmeric (gifted), vintage cotton (gifted), Black Wattle gum (38.89422°S, 150.50305°E). 7.2 x 5.8 x 4.1 cm (5.8 cm depth with fabric).

Sarah Plummer. Rusty Carrot House. 2024. Kozo, found shard, Sydney Rusty Gum kino (33.98354°S, 151.05673°E), Black Wattle gum (38.89422°S, 150.50305°E). 6.8 x 4.9 x 6 cm.

Sarah Plummer. Wonny. 2024. Kozo, cotton, plant matter, turmeric (gifted), collaged lithographic fragments, shell (31.45879°S, 152.93376°E), Bunya Pine resin (33.8365° S,151.15579°E), Black Wattle gum (38.89422°S, 150.50305°E). 9.8 × 5.2 x 5.7 cm.

Sarah Plummer. a sun buried a thousand years ago and dug up only yesterday. 2024. Kozo, bottle brush flowers (33.97280°S, 151.05071°E), turmeric (gifted), vintage cotton (gifted), Black Wattle gum (38.89422°S, 150.50305°E). 7.2 x 5.8 x 4.1 cm (5.8 cm depth with fabric).

Installation View\ Day (4).

Installation View\ Day (5).

Installation View\ Day (6).

Installation View\ Day (7).

Installation View\ Day (8).

Installation View\ Day (9).

Magaly Cantú.
![Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/4a1d73d9-2b64-4a88-b250-ce369aa35589/RTC10.jpg)
Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]
![Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/227b8652-1830-435c-8ea4-0bdd7586f49b/RTC9.jpg)
Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]

Magaly Cantú. Mi Camita Quebrada, 1/3 {Left} & 2/3 {Right}. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches each.

Magaly Cantú. Mi Camita Quebrada, 1/3 {Left} & 2/3 {Right}. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches each.

Magaly Cantú. Mi Camita Quebrada, 1/3. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches.

Magaly Cantú. Mi Camita Quebrada, 2/3. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches.

Installation View\ Day (10).

Cesar Herrejon. Nimix and His Creature. 2023. Fabric, ink, soft pastels, watercolor crayons, plaster on wood. 20 x20 inches.

Cesar Herrejon. Nimix and His Creature. 2023. Fabric, ink, soft pastels, watercolor crayons, plaster on wood. 20 x20 inches.

Installation View\ Day (11).
![Cesar Herrejon. Nimix and His Creature. 2023. Fabric, ink, soft pastels, watercolor crayons, plaster on wood. 20 x20 inches. [Detail.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/6d1d9036-b502-49a0-9afb-c468a8d653aa/Herrejon_Nimix_3.jpg)
Cesar Herrejon. Nimix and His Creature. 2023. Fabric, ink, soft pastels, watercolor crayons, plaster on wood. 20 x20 inches. [Detail.]

Sarah Plummer. {Left} seanchuimhne ag borradh. 2024. Stone lithograph. Variable Edition of 19 + Artist's Proofs. 8.75 x 5.75 inches. A.P. 3 printed on Handmade washi. {Right} If you leave it alone, it might just happen. 2022. Stone lithograph. Edition of 28 + Artist's Proofs. 7.5 x 9.5 inches. B.A.T. (bon à tirer) printed on (Okawara Select 51g/m2).

Sarah Plummer. seanchuimhne ag borradh. 2024. Stone lithograph. Variable Edition of 19 + Artist's Proofs. 8.75 x 5.75 inches. A.P. 3 printed on Handmade washi.

Sarah Plummer. If you leave it alone, it might just happen. 2022. Stone lithograph. Edition of 28 + Artist's Proofs. 7.5 x 9.5 inches. B.A.T. (bon à tirer) printed on (Okawara Select 51g/m2).

Jackie Castillo.

Jackie Castillo. {Left-Right} Of the garden just risen from darkness. 2024. Concrete paver, archival pigment, ink, polyester. 12 x 12 x 1.5 inches. And once more I remember. 2024. Concrete paver, archival pigment, ink, polyester 12 x 12 x 1.5 inches. Through the descent, like the return. 2024. Concrete paver, archival pigment, ink, polyester. 12 x 12 x 1.5 inches.

Jackie Castillo. Of the garden just risen from darkness. 2024. Concrete paver, archival pigment, ink, polyester. 12 x 12 x 1.5 inches.
![Jackie Castillo. Of the garden just risen from darkness. 2024. Concrete paver, archival pigment, ink, polyester. 12 x 12 x 1.5 inches. [Side.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/9e382969-9c50-40d6-9358-6c84fdc63d42/Castillo_Of+the+garden_2.jpg)
Jackie Castillo. Of the garden just risen from darkness. 2024. Concrete paver, archival pigment, ink, polyester. 12 x 12 x 1.5 inches. [Side.]

Jackie Castillo. And once more I remember. 2024. Concrete paver, archival pigment, ink, polyester 12 x 12 x 1.5 inches.
![Jackie Castillo. And once more I remember. 2024. Concrete paver, archival pigment, ink, polyester 12 x 12 x 1.5 inches. [Side.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/9ada58fb-37b6-4795-aac4-6a1759f9e7ed/Castillo_And+once_2.jpg)
Jackie Castillo. And once more I remember. 2024. Concrete paver, archival pigment, ink, polyester 12 x 12 x 1.5 inches. [Side.]

Jackie Castillo. Through the descent, like the return. 2024. Concrete paver, archival pigment, ink, polyester. 12 x 12 x 1.5 inches.
![Jackie Castillo. Through the descent, like the return. 2024. Concrete paver, archival pigment, ink, polyester. 12 x 12 x 1.5 inches. [Side.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/77fbdc6c-763f-4905-a5cb-18469cfa3d0b/Castillo_Through_2.jpg)
Jackie Castillo. Through the descent, like the return. 2024. Concrete paver, archival pigment, ink, polyester. 12 x 12 x 1.5 inches. [Side.]

Jackie Castillo.
![Jackie Castillo. From Somewhere They Had Known Before. 2023. Concrete landscape edger, 120mm film scan of the Great Pyramid of Cholula, laser print, polyvinyl acetate aadhesive. [Aerial.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/849962f0-681e-428c-b1e9-9844d6e8f661/castillo_From+Somewhere_2.jpg)
Jackie Castillo. From Somewhere They Had Known Before. 2023. Concrete landscape edger, 120mm film scan of the Great Pyramid of Cholula, laser print, polyvinyl acetate aadhesive. [Aerial.]

Installation View\ Afternoon (0).
![Jackie Castillo.Jackie Castillo. From Somewhere They Had Known Before. 2023. Concrete landscape edger, 120mm film scan of the Great Pyramid of Cholula, laser print, polyvinyl acetate aadhesive. [Orthogonal.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/47970dc0-3c5e-4302-98a4-aa8ee7cef036/castillo_From+Somewhere_1.jpg)
Jackie Castillo.Jackie Castillo. From Somewhere They Had Known Before. 2023. Concrete landscape edger, 120mm film scan of the Great Pyramid of Cholula, laser print, polyvinyl acetate aadhesive. [Orthogonal.]

Installation View\ Afternoon (1).

Installation View\ Day (15).

Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches.

Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches.
![Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches. [Detail.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/4c2b1680-cd56-41f5-a8aa-2f7e52e84746/Herrejon_Xerox_4.jpg)
Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches. [Detail.]
![Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches. [Detail.]](https://images.squarespace-cdn.com/content/v1/619c221f6addfe04124c8b97/7c577e8c-7cae-44a4-8803-a1e6dac9b0fe/Herrejon_Xerox_3.jpg)
Cesar Herrejon. Untitled Images. 2024. Xerox transfer on caulk. 23 x 19 inches. [Detail.]

Installation View\ Night (0). There's no telling time. Jackie Castillo, Shabez Jamal, Sarah Plummer, Xiao He, Cesar Herrejon, Magaly Cantú. April 13 - May 18, 2024. Group Exhibition.
Installation View\ Day (0). There's no telling time. Jackie Castillo, Shabez Jamal, Sarah Plummer, Xiao He, Cesar Herrejon, Magaly Cantú. April 13 - May 18, 2024. Group Exhibition.
Installation View\ Day (1).
Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches.
Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Open.]
Magaly Cantú. Greñuda. 2024. Ceramic frame, transparent flax paper, human hair; lithography, screen printing. Approx. 15 x 4 x 2 inches. [Back.]
Installation View\ Day (7).
Installation View\ Day (9).
Magaly Cantú.
Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]
Magaly Cantú. Cierra la Ventana. 2023. Lithography, collage. 20 x 26 inches (framed). [Photo Credit: Finlay Markham.]
Magaly Cantú. Mi Camita Quebrada, 1/3 {Left} & 2/3 {Right}. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches each.
Magaly Cantú. Mi Camita Quebrada, 1/3 {Left} & 2/3 {Right}. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches each.
Magaly Cantú. Mi Camita Quebrada, 1/3. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches.
Magaly Cantú. Mi Camita Quebrada, 2/3. 2022. Porcelain slip casting, screen printing, cotton batting, graphite on paper. 7 x 5.5 x 2 inches.
Installation View\ Night (0).
Installation View\ Night (1).
Installation View\ Night (2).
Installation View\ Night (3).
Installation View\ Night (4).
Installation View\ Night (5).
Installation View\ Night (6).
Installation View\ Night (7).
Installation View\ Night (8).
Installation View\ Day (2).
Installation View\ Day (3).
Installation View\ Day (4).
Installation View\ Day (5).
Installation View\ Day (6).
Installation View\ Day (8).
Installation View\ Day (10).
Installation View\ Day (11).
Installation View\ Afternoon (0).
Installation View\ Afternoon (1).
Installation View\ Day (15).