Sohyong Lee. Longing Shadows . 2023. Wooden frame, still image, tiny video player, video loop. 9 x 9 x 2 inches.
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Exhibitions Images and Recordings: View.
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Current Exhibition:
January 25 – March 1, 2025. Winter. Los Angeles (4478).
Sohyong Lee, Rudik Ovsepyan, Danica Ribi, santoni kina, Keywan Tafteh, Tiago Da Cruz
+ Reference: Checklist.
+ Release: File.
+ Press: This Week’s Must-See Art (Curate LA: February 20-26, 2025).
+ Exhibition Documentation: View.
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Bio
Sohyong Lee (b. Chun Cheon, Korea) is a multidisciplinary artist who primarily works with sculpture, video, and installation. She received an MFA in Art-Integrated Media from the California Institute of the Arts and a BFA in Sculpture from the College of Art & Design, EWHA Womans University. Sohyong has shown her work at Cevera Yoon Gallery(CA), UTA Artist Space LA (CA), The Reef (CA), EWHA Art Gallery (Seoul, KR), Gallery Well (Seoul, KR), GyeomJae JeongSeon Art Museum (Seoul, KR), UM Gallery (Seoul, KR), Yihyung Art Center (Seoul, KR), Kosa Space Gallery (Seoul, KR). Her work has been featured in Voyage LA Local Stories. She works and lives in Los Angeles, California.
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As a multidisciplinary artist working in sculpture and installation, I explore the visualization of subtle, momentary nature of the mundane, or in other words the daily instances that elude our habitual and linguistic perceptions. My work illuminates volatile ideas that hover at the edge of consciousness within the complexity of an ever-changing world, engaging in a contemplative examination of ungraspable senses we often overlook in daily experience.
By sustaining attention to the seemingly mundane things, each observation, however small they may be, becomes a catalyst for a deeper exploration. – An unexpected contrast, a trace of thoughts that reside in fleeting moments and how those nuances are transcribed through our mind. – Those inquiries are translated into a visual vocabulary through various techniques and modalities including molding, casting, crafting, integration of found objects, video, projection, and interactive coding. Through creating analogical relationships, I create intersections that initiate unfamiliar dialogue with the familiar, where fleeting moments find their visual voice in minimal, poetic forms that suggest rather than a declaration. Through this contemplative approach, I seek a pathway to revisit the fleeting nature of perception itself, reflecting on the significance of the profound impact of unnoticed facets of life, and guiding us toward an unexpected territory of insight, a renewed relationship with the ordinary.
{c.01/25/2025. Biographical text courtesy of the artist.}
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Exhibitions with the Gallery:
- January 25 – March 1, 2025. Winter. Group Exhibition.
Sohyong Lee, Rudik Ovsepyan, Danica Ribi, santoni kina, Keywan Tafteh, Tiago Da Cruz
+ Reference: Checklist.
+ Release: File.
+ Press: This Week’s Must-See Art (Curate LA: February 20-26, 2025).
+ Exhibition Documentation : View.
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Inquire for Information, Image Details, or Status of Exhibited Works:
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(paradise) . Sohyong Lee, Rudik Ovsepyan, Danica Ribi, santoni kina, Keywan Tafteh, Tiago Da Cruz. January 25 – March 1, 2025. Group exhibition. | Sohyong Lee. Longing Shadows . 2023. Wooden frame, still image, tiny video player, video loop. 9 x 9 x 2 inches. [Installation View\ Day.]
Sohyong Lee. Longing Shadows . 2023.
Sohyong Lee. Longing Shadows .
Sohyong Lee. Longing Shadows . [Detail.]
Sohyong Lee. Longing Shadows . 2023. [Side-view; small video visible.]
Sohyong Lee. Place, temporary . 2024. Wood, metal rods, latex, cement, fishing wire. ≈ 17 x 17 x 77 inches. [Installation View\ Day.]
Sohyong Lee. Place, temporary . 2024. [Partial: top.]
Sohyong Lee. Place, temporary .
Sohyong Lee. Place, temporary . [Detail.]
Sohyong Lee. Place, temporary . [Detail.]
Sohyong Lee. Place, temporary . [Partial: lower.]
Sohyong Lee. Place, temporary . [Detail.]
Sohyong Lee. Place, temporary .
Sohyong Lee. Deep down Shallow water. 2022. Bookbinding gauze, dictionary, steel, water, video projection loop. [Installation View\ Night. (Photography: Sohyong Lee.)]
Sohyong Lee. Deep down Shallow water. 2022. [Installation View\ Night. (Photography: Sohyong Lee.)]
Sohyong Lee. Deep down Shallow water. [Installation View\ Night. Partial. (Photography: Sohyong Lee.)]
Sohyong Lee. Deep down Shallow water. [Installation View\ Night. Partial. (Photography: Sohyong Lee.)]
Sohyong Lee. Deep down Shallow water. [Installation View\ Night. Detail. (Photography: Sohyong Lee.)]
Sohyong Lee. Deep down Shallow water. [Installation View\ Night. Partial. (Photography: Sohyong Lee.)]
Sohyong Lee. Deep down Shallow water. [Installation View\ Night. Partial. (Photography: Sohyong Lee.)]
Sohyong Lee. Deep down Shallow water. [Installation View\ Night. Oblique. (Photography: Sohyong Lee.)]
(paradise) . Sohyong Lee, Rudik Ovsepyan, Danica Ribi, santoni kina, Keywan Tafteh, Tiago Da Cruz. January 25 – March 1, 2025. Group exhibition.
Image: Installation View\ Night (0). Positioned at gallery-front (right). Oriented forward, facing gallery-penultimate. [Photography: Chris Reisig.]
Image: Installation View\ Night (1). [Photography: Chris Reisig.]
Image: Installation View\ Night (2). [Photography: Chris Reisig.]
Image: Installation View\ Night (3). [Photography: Chris Reisig.]
Image: Installation View\ Night (4). [Photography: Chris Reisig.]
Image: Installation View\ Night (5). [Photography: Chris Reisig.]
Image: Installation View\ Night (6). [Photography: Chris Reisig.]
Sohyong Lee. Deep down Shallow water. 2022. Bookbinding gauze, dictionary, steel, water, video projection loop. [Installation View\ Night.]
Image: Installation View\ Night (7). Positioned at gallery-penultimate. Oriented toward gallery-front with view of left-hand wall. [Photography: Chris Reisig.]
Danica Ribi. Vestige . 2024. Paraffin wax, cellophane, duct tape, paper, bakers racks, pipe clamps, fragment of wall, rags, Virgin Mary. Dimensions variable. [Installation View\ Night.]
Image: Installation View\ Night (7). Positioned at gallery-penultimate. Oriented toward gallery-front with view of right-hand wall; with a partial view of front window. [Photography: Chris Reisig.]